SWEET CONFINEMENT, OR, et al. Set for Theatre on the Lake Summer 2012 Season

The Chicago Park District's Theater on the Lake: The Chicago Summer Theater Festival turns 60 this year and is proud to announce the eight artistically diverse Chicago theater companies that will receive encore presentations from June 13 – Aug. 5, 2012. Each production will be performed for five evenings only at the theater at Fullerton Avenue and Lake Shore Drive.

The season opens with SiNNERMAN Ensemble (June 13-17) and continues with Popular Productions by Caffeine Theatre (June 20-24); eta Creative Arts Foundation (June 27-July 1); Redtwist Theatre (July 4-8); TJ & Dave (July 11-15); Stage Left (July 18-22); The Inconvenience (July 25 – 29); and The Building Stage (Aug. 1-5). With the exception of Caffeine Theatre, seven of the companies are new to Theater on the Lake.

In conjunction with the 60th anniversary, the Joseph Jefferson Awards Committee is honoring Theater on the Lake for its commitment to fostering live theater performed by local performing arts companies. The Jeff Committee will bestow a Special Award to Theater on the Lake for its commitment to presenting a cross section of Chicago's diverse theater scene. The Special Award will be presented at the Joseph Jefferson Awards Committee Non-Equity Awards ceremony June 4 at the Park West.

Theater on the Lake will celebrate its 60th season by will featuring related pre- and post-show entertainment, including a weekly Theater Thursday in partnership with the League of Chicago Theatres. Each Thursday, audience members can watch the performance and enjoy pre-show refreshments as well as the chance to mingle with the artists.

The season includes:

SiNNERMAN Ensemble
Sweet Confinement by Anna Carini
Directed by Brea Hayes
June 13 – 17

Sweet Confinement finds five people who have grown up and shared love and loss together meeting in a familiar place to deal with a crisis. They must confront each other, the actions that brought them together and their shared history. Can they handle it? How do they handle it? And how will they ever move on from here?

Caffeine Theatre
OR, by Liz Duffy Adams
Directed by Catherine Weidner
June 20 – 24

This raucous, bodice-ripping comedy, Aphra Behn has a few hours to finish her breakthrough play when her ex-lover and fellow spy delivers the news that there's a plot to kill her current lover, King Charles II. The orange girl-turned-actress is also on hand as a seductive distraction. Can Aphra finish her play and save the king?

eta Creative Arts Foundation
BROKE-OLOGY by Nathan Louis Jackson
Directed by Runako Jahi
June 27 – July 1

Two brothers with very different takes on life find themselves inevitably at odds when the question of who will take care of their ailing father is raised. Sibling rivalry underscores this provocative drama that speaks to the rich love a family has for one another in spite of their actions.

Redtwist Theatre
Opus by Michael Hollinger
Directed by Jason W. Gerace
July 4 – 8

A world-class string quartet is in the midst of a clash of wills between the two leaders of the group: the artistic genius and the business guru. One stays and the other is ousted and replaced by a young woman, fresh out of school, and the evolution of the ensemble takes several unexpected turns en route to a riveting conclusion.

TJ & Dave
July 11 – 15

TJ Jagodowski and Dave Pasquesi walk out on stage without characters, dialog or plot. An hour later they leave an audience with one of the funniest nights of their lives. Described by The New York Times as "Second City-seasoned masters of long form improv," TJ and Dave only ask that you trust them that this is all made up.

Stage Left
Farragut North by Beau Willimon
Directed by Vance Smith
July 18 – 22

Stephen Bellamy is a wunderkind press secretary who has built a career that men twice his age envy. During a tight presidential primary race, his meteoric rise falls prey to backroom politics. A fast-paced drama about the lust for power and the costs one endures to achieve it, Farragut North was a hit on the coasts before its Chicago premiere. The script was also the basis for the recent film The Ides of March.

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